Thick with Color: Narrative Fibers
Angelica Raquel Martinez, Amanda Morris, and Nonney Oddlokken
October 12 - December 22, 2024

 
 

Amanda Morris

Amanda Lynn Morris received her Bachelor of Fine Arts (Printmaking), and Bachelors Degree (Art History) at Indiana University Purdue University Indianapolis (IUPUI) in 2013, and went on to complete her Masters of Fine Arts at Ohio University. While the focus of her MFA is in printmaking she has also created many sculptural works. Both mediums have aided her exploration into desirability in our commodity-based culture, and such artistic explorations have aided in her inclusion in exhibitions nationally and internationally.

Amanda says, “Within this series of work, I depict wild animals absorbed and ejected by consumer culture. I have clothed, or covered, each of my taxidermy animal forms in lush fabrics and decorative materials that are meant to reference various goods associated with being considered a desirable woman, or product. By attempting to embrace the aesthetics of consumerism within fine art, my work endeavors to take representations of personal worth, such as taxidermy, fashion, etc. beyond the discussion of vitality and validity and into the realm of collective cultural indoctrination. In this way, the taxidermy forms represent the nature of alleged high-class consumerism, and our desire to acquire the best, most beautiful products that will showcase our worth. The decorative nature of the forms serves as a means of domesticating the wild animal. Stripped of their original skin and identity they become a product for consumption, a beautiful trophy for the consumer, unable to perform any actual or natural function besides decoration.”

Angelica Raquel martinez

Angelica Raquel was born and raised in La Frontera, the border city of Laredo, TX, before settling down in San Antonio. Inspired by her Latin culture and family, Raquel creates her work from shared stories and experiences from her childhood in south Texas and her adult life in central Texas. Primarily a storyteller,Raquel explores narratives rooted in the folklore and familial storytelling shared by her late Grandfather, now taking on the mantle to retell and reinvent the stories and myths that have connected generations of family members, even after death. 

Raquel’s work serves as an illustration of the rich history and ritual of sharing the folklore and leyendas (legends) that teach lessons, while still celebrating her culture, societal shifts in family roles, and mankind's relationship with the unknown/nature. Her multidisciplinary studio practice, which includes painting, drawing, metal tooling, felting, and rug hooking act as the different voices a story can be told in. Raquel's use of craft processes and Latin folk art motifs elevate and honor the women who came before her who supported their families mastering these techniques, specifically her own great Grandmother who supported her many children by quilt making. 

Nonney Oddlokken

Nonney Oddlokken is a native of New Orleans, whose works have been exhibited throughout Louisiana, the New Orleans Jazz and Heritage Festival,  the Gulf Coast, Oklahoma, and South Carolina, in addition to having work in the Southern Ohio Museum of Art’s permanent collection.

She says, “In this series of work, I ask the viewer not to ponder the existence of God, but to confront the stark reality of our inability to ever understand God as a totality. To even begin to describe God is to anthropomorphize something that transcends words, concepts and thoughts of the human experience.”